Archaeology of Portable Rock Art

Subjectivity in Stone Age art works such as figure stones, engravings, sculptures, effigies and curated manuports. See how images and icons have been realized in portable rock media since the dawn of humanity. Here, archaeologists and art historians are becoming aware of these forsaken artifacts. “And this our life, exempt from public haunt, finds tongues in trees, books in the running brooks, sermons in stones, and good in every thing." -in W. Shakespeare, As You Like It, 1599.

28 February 2013

Turkey head figure stone, including snood and wattle, from Coryell County, Texas, site also has a human/bird combination and human face images

Ronda Eldridge's human crafted turkey head figure stone, from Bee House, Coryell County, Texas, found in the context of multiple portable rock art objects and other bird figures

At right is a flint flake from Buckeye Lake, Ohio, described in an earlier post as an intended turkey head figure.

Texas stone turkey head, side 2

Highlighted by this markup, Ken Johnston has interpreted an open-mouthed human head looking to upper left, attached to the back of a bird head image looking right within the beak area of the turkey figure itself. The human head and the bird head combined with it have distinct eyes and the human appears to be laughing.

Ken Johnston has interpreted a human face or skull image on the back of the bird head as highlighted above. It has two eyes, a nose and a smiling type mouth. "Human face on the posterior of bird head" is a known motif in portable rock art and this is the second example identified from Ronda Eldridge's site in Bee House, Texas, the first was featured in an earlier posting.

A second larger skull with the "one eye open, one eye shut or missing" motif is also highlighted in the photo above.

Human skull or face on the back of the bird head appears to be smiling. This reminds me of the smiling face on the posterior of this bird figure stone found by Mark Jones, at Piney Point, Maryland.

-kbj

3 comments:

lukeMarch 1, 2013 at 12:08 PM
if u flip the texas turkey up side down,you can see the side profile of a fly'n lil bird wings tucked tail up or you can re foucus and see a crested bird head.these illusion on one stone r amazing art. the hand size of them and the way you move it around in your hands to see diffrent pictures makes me think some were kind of a meditation stone.

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SblJanuary 3, 2017 at 6:12 PM
I believe you are looking at a burial item placed on or in a grave. The side your pic shows is the deceased in death as he looks in the grave. The skull in relief. If you continue to examine this artwork you will see the profile of the deceased in life plus many other symbols.ELP
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SblJanuary 3, 2017 at 6:22 PM
I believe this picture shows a burial item. The current orientation shows the deceased in death in funeral costume as he would look in death laid in a grave. If you continue to examine this portable artwork you will see the person's profile as he appeared in life. Also,many other images of animals and faces.
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Warren K. Moorehead on the imperitive to collect "rough and rude" art

“… The museums are full of axes, celts, pipes, banner stones, discoidals, hematites, tubes, slate ornaments and ceremonials, pestles, hammers, etc. What the museums need (as of great value to Archaeological Science) are collections from a single locality including everything found in that locality. They want the finds of the village site, the studies in unfinished specimens, the poor and the good, the imperfect as well as the perfect. In this regard, the collectors make a great error. Most of them do not save everything but cling to the ‘pretty relics’ and discard the rough and the rude. Personally, I would give more for a collection, provided it contained all the types, all the finds of a certain valley than for just the fine, perfect objects of that valley. From a collection of the latter, I would be misled, for if I accepted it as indicative of the people of that valley, I would say they made the most beautiful works of aboriginal art, nothing rude or unfinished being turned out by their artisans. In such a statement, I would be unpardonably wrong.”

Warren K. Moorehead, 1884

Sculptor Henry Moore

"The most striking quality common to all primitive art is its intense vitality. It is something made by people with a direct and immediate response to life. Sculpture and painting for them was not an activity of calculation or academism, but a channel for expressing powerful beliefs, hopes and fears.

Primitive art is a mine of information for the historian and anthropologist, but to understand and appreciate it, it is more important to look at it than to learn the history of primitive peoples, their religions and social customs…But all that is really needed is response to the carvings themselves, which have a constant life of their own, independent of whenever and however they were made, and remain as full of sculptural meaning today to those open and sensitive enough to receive it as on the day they were finished." --Henry Moore, 1941

Ursel Benekendorff is recognized in the vanguard of Stone Age art inquiry and study

(This image is Copyright (c), Ursel Benekendorff, All Rights Reserved. May not be copied or distributed in any way. Used here with permission of Ursel Benekendorff for purpose of linking to her web site Schafftwissen) Stone age art pioneer Ursel Benekendorff has 2000 photographs and demonstrates standardization in the production of the world's oldest art. “My work was a pioneer work, without help of curators or technical experts. Self developed methods helped me, to stay on top of thousands of pieces of extraordinary shapes, excavated by digging machines. I was fast but not that fast and not all artifacts could have been rescued, still Menhir sizes, microlithic material, handsize stones and Un- PORTABLE sized stones were documented. That was more than most collectors assembled or documented, as I learned later on. I had invited large numbers of people to my site, so I know how they go about it all, they operate on a personal preferences, thus a wide open field, possessing is the goal, not so much the unsolved research questions. You see it was not my goal to find the best but the goal was, to clear misleading pictures and find those, who got repeated. This needed a large variety of stone types to detect the repetition by former artists. (Not looking pictures into the stones). But I wanted and still want to know, how the logo face stone on my website created his surrounding.” -Ursel Benekendorff

A book on Siberian portable rock art could provide clues to North American possibilities

Early art of the northern Far East : the Stone Age, by M. A. Kiriyak. This book is about the portable rock art of the Russian north east area. It was written in Russian but has been translated to English by the United States National Park Service's Shared Beringia Heritage Program. The hundreds of iconographic artifacts described and pictured here should inform North American archaeologists regarding the possibilities for art modalities having arrived via Beringia during peopling of the Americas migrations. The book is available for preview at the link here.

Denisovan Ancestry in East Eurasian and Native American Populations

28 February 2013

Turkey head figure stone, including snood and wattle, from Coryell County, Texas, site also has a human/bird combination and human face images

3 comments: