6.8kg, 53cm wide to 33cm tall = ratio of 1.606
Mark Jones of Glen Burnie, Maryland, is a fossil hunter and artifact collector whose figure stone find and interpretation "Kissy Birds" was featured in my first article on this blog. Several other of Mark's finds from Piney Point near the convergence of the Potomac River and Chesapeake Bay have also been featured. Mark contacted me today regarding a friend's anomalous artifact find from Minnesota. They could see the object had been worked but did not know if it could be a tool, some kind of art, a trail marker, etc. and asked for my opinion on it.
The artifact struck me as having the classic mammoth icon shape seen in other portable rock art sculptures seen on this blog and elsewhere. It appeared to have been chipped along its edge to produce the shape of the rough outline a mammoth. The mammoth is depicted as standing on the ground which is a flat, elongated surface acting as a base for the vertical mammoth figure.
Objects like this can have value to us even as surface finds with what would normally be considered weak archaeological context. Portable rock art can have what I call "self-supporting context," where there is more than one element of the same piece which have "art" attributes and each these elements should be considered as supporting the veracity of the interpretation of the piece as a whole. The mammoth profile and the human face I interpret here would have more limited value if they were the sole potential art elements of a piece. But combined together on the one piece, with physical placement in "correct" position compared to other known forms, they make a most compelling case in support of an art interpretation.
Amateurs will continue to serve up examples on silver platters like this until some good scientist determines it is time to be looking for these kinds of objects in situ. If they do not look, they will not find. I am confident if they do look more closely for art attributes in all stone material at archaeological sites they will find a world of symbolic information left in stone by our ancestors- an art world that can inform us more about our human past than the technological tool sets which are the basis of our current archaeology.
"Although incised cobbles are common at the Gault site, portable art is otherwise rare at early New World localities, and, in either case, this art emphasizes simple geometric patterns rather than the naturalistic portrait style that characterizes much (though not all) of the portable art in the European Upper Paleolithic. Given the difference in the nature of the early portable arts of these hemispheres, there is no reason to expect parallels between their rock art corpora, and good reason to doubt that similarities would exist. Even though there may be occasional examples, early New World art apparently simply did not emphasize (now extinct) megafaunal species, but most likely for cultural reasons rather than due to chronology alone."
Journal of Archaeology
Volume 2013 (2013), Article ID 713159, 15 pages
Rock Art Dating and the Peopling of the Americas
David S. Whitley
The above statement, which also reflects the current consensus of Archaeology regarding figurative portable rock art in America, now stands refuted. -Ken Johnston