27 July 2014
Austin, Texas, area "One eye open, other eye shut or missing" motif on a chert pebble and in a repeated local pattern
David Boies artifact find, near Austin, Texas
This figure evidences stone removal on the "right eye, the nose" and the "mouth" made to affect the final desired image of a chert pebble face mask expressing the pervasive portable rock art motif of "One eye open, other eye shut or missing."
This motif dates to the Acheulean and may also be seen in Middle-Paleolithic European assemblages, according to art and religion scholar James Harrod, Ph.D., at OriginsNet.
View 2 of this worked pebble with scale in inches.
The face looking at us straight-on has the left profile of another face occupying its left side. The two faces share the same stone feature as a "nostril."
“There Is Nothing New Under The Sun.” Ecclesiastes 1:4-11
Author Barbara Olins Alpert describes a simplistic face made by addition of three painted black lines added to a naturally-suggestive form in a cave at Vilhouueur (Charente, France) seen pictured here and dated to ca. 25,000 years before present. See her illustration below.
Figure 4.26 from Barbara Olins Alpert's The Creative Ice Age Brain: Cave Art in the Light of Neuroscience.
Posted by Ken Johnston at 5:35 PM
25 July 2014
Austin, Texas, area human head sculpture has a mammoth figure cresting its head in Paleolithic art tradition
Human head sculpture, find by David Boies, near Austin, Texas. There may be red ocher staining on the lower part of this artifact.
Ken Johnston illustration marking the full mammoth in profile facing left which is depicted as "cresting" the human's head.
Licking County, Ohio, human face left profile sculpture interpreted as also incorporating a mammoth icon (trunk and head bump) cresting its head. Found in context of other human/mammoth art pieces. Featured in an earlier posting.
24 July 2014
Sahuarita, Arizona, stone human head sculpture incorporates visage of a "one-eyed feline," a recurring motif in portable rock art
Sahuarita, Arizona, find by James, identified as a human head sculpture
Ken Johnston detected the visage of a one-eyed feline incorporated into the backside of the human head sculpture identified by James. This helps "seal the deal" on the authenticity of this art piece. The human head form and the one-eyed feline form are consistent with other portable rock art representations as seen on this blog.
"Most people who care much about art find that of the work that moves them most the greater part is what scholars call "Primitive" ...In primitive art you will find no accurate representation; you will find only significant form. Yet no other art moves us so profoundly." -Clive Bell, 1914; quoted after Cahn and Meskin 2007: 266.
Sculpture from Italy on the cover of Pietro Gaietto's book compared to Arizona example
22 July 2014
David Boies iconic finds at Austin, Texas, illustrate how disturbance of natural quartz crystal fractal patterns through grinding and chipping may allow scientific confirmation of artificiality
David Boies iconic finds at Austin, Texas, illustrate how human disturbance of natural quartz crystal fractal patterns through grinding and chipping may allow scientific confirmation of artificiality of suspected artifacts such as these
Mr. Boies has identified dozens of portable rock art objects in a concentrated area near Austin, Texas.
21 July 2014
Missouri human head sculpture identified by Keith Stamper is similar to Acheulean tradition sculpture described by author Pietro Gaietto
Keith Stamper find, St. Peters, Missouri, identified as a sculpted human head figure
The Keith Stamper sculpted head at top has strong stylistic similarity to this sculpted human head by Homo erectus from the Lower Paleolithic Acheulean tradition featured by Pietro Gaietto on the cover of his book.
(left) View 2 of the Keith Stamper Missouri sculpture find, (right) a profile view showing "nose" protrusion
Two human heads with facial profiles facing left (click photos to expand)
A sample of the dozens of anthropomorphic forms identified by Keith Stamper at St. Peters, Missouri
Levallois-like flake tool identified among sculptures by Keith Stamper
Thick blade tool found among sculptures by Keith Stamper
Posted by Ken Johnston at 9:46 AM
19 July 2014
Pipe Creek chert vein plate segment may have been selected for resemblance to North American lion head in the same tradition as large lion head sculptures from Flint Ridge, Ohio
This Pipe Creek, Ohio, chert vein plate was featured in a recent article in Ohio Archaeologist. I noticed it resembles chert lion head sculptures I have identified from Flint Ridge, Ohio
This chert vein plate was likely harvested and shaped for its likeness to a feline head facing right in a cultural tradition which was first noticed at Flint Ridge, Ohio. The top and bottom edges of the figure are the top and bottom natural surfaces of the chert vein and the right and left edges were harvested or trimmed in order to frame the basic facial elements in a plausible lion head shape.
A reconstructed interpretation of the North American lion head
Black lines highlight the interpreted eye and nose, and a red line marks the mouth, of a lion head profile facing right
Flint Ridge, Ohio, lion head sculpture facing right featured earlier on this blog.
Flint Ridge, Ohio, lion head sculpture facing left featured earlier on this blog.
Flint Ridge, Ohio, sculpted lion head found in a group of seven other sculptures featured in postings in the month of May, 2012.
Posted by Ken Johnston at 9:09 AM
18 July 2014
Lion head profile looking left, found by David Boies, near Austin, Texas
(Left) A possible lion head sculpture from the Arkfeld site, Clear Brook, Virginia, faces the Austin, Texas, figure. Even though they are facing opposite directions, these two lion heads are made on somewhat the same visual template, likely being a culturally-guided tradition. The Texas figure at right has a prominent chin at the 16.5cm mark.
Posted by Ken Johnston at 9:53 AM
16 July 2014
Oregon human face on a pebble from the Dennis Boggs portable rock art collection is strikingly similar to one identified in Siberia
Dennis Boggs find, near Irrigon, Oregon, Columbia River Valley
The drawing below is not of this artifact, but of another very similar one identified by Russian archaeologist M.A. Kiriyak. The entire Dennis Boggs collection of more than one hundred iconic objects is interpreted and curated by Ken Johnston, with one thousand additional specimens pending examination and study.
An illustration of an Upper Paleolithic "cobble mask" from Siberia, Russia. Bol'shoi El'gakhchan I site, from Early Art of the Northern Far East by M.A. Kiriyak.
Side-by-side comparison of Oregon figure stone (left) and drawing of a Siberian figure stone (right)
Posted by Ken Johnston at 9:20 AM
14 July 2014
Île d'Oléron, France, amateur archaeologist Henri Valentie identifies worked quartz cobble with a primate face, a human face mask and a human facial profile
Henri Valentie find, Île d'Oléron, France. In this perspective on the stone, we may interpret a primate-like face, including nostrils, looking straight-on.
I present to you one of my latest discoveries still on the island of Oleron. Initially I apprised this stone for a tool then I saw a human face but also a beautiful profile of a head. It is lower paleo, quartz, 1.6kg, width 8.8 cm, 10.2 cm deep. Always fascinated by your site.
Cordially to you,
Another view of the stone presents a face mask in the "one eye open, other eye closed or missing" motif
In this third view of the same stone, we may see a human face and head profile looking left and a gorilla-like head in left 3/4 profile
Early art and religion scholar and publisher of OriginsNet.org James Harrod, Ph.D.,writes: "In addition to geometrics, including the biface or 'handaxe', female figurines, and the human head or skull, animals constitute the fourth major element in Early Paleolithic symbols systems. This gallery highlights a special motif identified at Pampau, primates, including what appear to be a macaque-like monkey and some baboon-like heads and even a proposed gorilla-like creature. The artifacts are in the collection of Ursel Benekendorff and she was the first to propose that these artifacts may be interpreted as representations of macaques and other primates. Fossil evidence for macaques does occur throughout the European Pleistocene."
(left) Artifact from Germany as seen at originsnet.org for motif comparison to France example, Photographer © Walther Matthes. Matthes, W. (1969). Eiszeitkunst im Nordseeraum. Otterndorf, Gr: Niederelbe-Verlag; (1964/1965). Bild 62.
(left) Artifact from Nona Axsom, Portland, Oregon for motif comparison to France example
Up close of third facial image, facing left, on the same stone.